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Alessandro Michele Heads To The Constellations With Gucci’s Cosmogonie Collection-Fashion Trends

Wednesday, May 18, 2022 12:25 PM (GMT+7)

Alessandro Michele has reached the stars for Gucci’s Cosmogonie Cruise 2023 collection. The show is inspired by constellations, whether literal or abstract.

For Creative Director Alessandro Michele, the constellations represent a web of bright, vibrant ideas that are connected to form a surprising whole. They are interconnected fragments of our universe, scattered seemingly randomly across the night sky but filled with meaning by dream-seeers who have been enthralled with them for centuries. The show’s stage is decorated with stars and antique maps shown on the show, the guests have stars in their names, the catwalk is made to look like the crust of the moon and The show’s soundtrack featured recordings from the Apollo 11 moon landing, while the collection’s 101 diverse styles were unveiled around the circular catwalk.

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According to Michele, the performance is meant to be “a tribute” to bringing energy and life to its historic site: Italy’s Castel del Monte, a 13th-century castle in the countryside of Puglia do Frederick II authorized. The design of the castle is another parallel to the overarching theme of constellations and connections. The octagonal building is full of parts and somewhat related to the number eight. As in Michele’s designs, repetition is a way to give meaning to an otherwise mundane detail. The more you see something, the more meaningful it feels to you at first. It was the experience of watching the Gucci Cosmogonie show, under the moonlight, just a day after the lunar eclipse.

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Some of the looks have a distinctly vintage feel, with details like the color blocking knit sweater, which has an ’80s tone, and ruffled collars on gorgeous, more historic dresses. . Michele uses motifs a large swirl of stripes that resembles the spiral shape of the galaxy; the fabric shimmered like the stars themselves; dresses that absolutely flatter the body and sometimes reveal discreet fake dresses. However, the overall trend is disordered, with a pattern as distinct as their galaxies before the constellation. Spectators will have to manually track and spot the Cosmogonie’s path into cohesion. One way is to focus on the grandeur of multiple designs. Closing the program was an unforgettable purple velvet long dress, studded with sparkling gold. Paired with lace-up heels and metallic blue gloves, the look is a stunning demonstration of how Michele turned the unexpected into transcendence. Other highlights include a feather dress studded with giant blue jewels, a quilted red coat with a knee-length hemline, and an array of patterned pants, vests, and overalls. jacket-like wearable thanks to the inclusion of regal motifs such as crowns and lions.

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Always the highlight of a Gucci show, the accessories displayed in the Cosmogonie are especially worthy. Gladiator boots are modified with thicker straps and colorful soles. The knee-high boots are adorned with laces, whether light gray or black. Meanwhile, handbags come in a variety of finishes. Gucci’s classic cheetah and monogram prints are seemingly overtaken by the wooden bag and V-pattern clutch – all of which are left open just enough to reveal the Gucci beauty products tucked inside. Colorful gloves, two-tone hats with soft brim, berets with straps that hang over the face, and loads of colored sunglasses accentuated the sophisticated style of the show.

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Michele revealed in the show’s notes that philosopher Walter Benjamin, a collector of quotations, was an important influence on the formation of the Cosmogonie. Benjamin and fellow philosopher Hannah Arendt, a longtime friend of his, met in Paris in the 1930s. Both were Jewish intellectuals fleeing Germany, bound together by brilliance. as well as their general course of exile. While Arendt managed to escape to New York, Benjamin was stopped at the Franco-Spanish border and took his own life. He attempted to transport some of his library of quotes and ideas to safety, but lost most of it when the Gestapo raided his Paris apartment. Without his stock of references and reflections, Arendt posed in a 1968 essay, how did he go on living? Michele admits his debt to Benjamin for introducing the idea of ​​’constellations’ in a philosophical sense, a way to pull meaning out of chaos, involving seemingly unrelated things. The Cosmogonie is a moving tribute to the legacy of Benjamin and Arendt. On a fine night in Italy, Michele proved herself a worthy disciple of constellation thought with a fashion show that was more than a mere star show.

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